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TEXT | ART : ELVA LAI

Year-round Festivals Series 31 – International Day of Charity – What would make your life happier?

Year-round Festivals Series 31 – International Day of Charity – What would make your life happier? Hong Kong is an affluent society where people enjoy basic human rights and their needs for food, clothing, shelter and transport are met, if not exceeded. As an affluent city, it should have empathy for other poor and backward countries or people. The emergence of charitable organisations is an example of organisations developed out of love and empathy. Does an affluent society mean happiness? If the answer is ‘yes’, there should be no mental disorders in the city, no sadness, no tears, no pain. […]

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TEXT | ART : ELVA LAI

Year-round Festival Series 15  – Mother’s Day II – This is a priceless way to be abundant!

Year-round Festival Series 15  – Mother’s Day II – This is a priceless way to be abundant! The connection between mothers and children can be traced back to the earliest days of pregnancy. Psychologists say that mothers who stay joyful during pregnancy have children who are born with a more peaceful personality. In this way, our personalities are deeply connected to our mothers. Celebrating Mother’s Day is not only a time to express gratitude to mothers or their caregivers who are mother figures, but it is also a time for children to feel loved. Mother’s Day is equally important to

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TEXT | ART : ELVA LAI

Year-round Festival Series 14 – Mother’s Day – The Story of Artist-Mother: Ruth Asawa

Year-round Festival Series 14 – Mother’s Day – The Story of Artist-Mother: Ruth Asawa Contemporary art is dominated by male artists, and when a female artist becomes a mother, the path is more difficult than when she is single. In her exhibition New Maternalisms, contemporary artist Natalie Loveless brings a revolutionary perspective on the deeper life experiences that come with motherhood, which leads to deeper and more interesting artworks. Becoming a mother doesn’t affect creative career As a mother of six children, Japanese American artist Ruth Asawa’s studio looks like a preschool. In some of the photos that capture her

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